Mary Goddard: Imprints of Copper and Community
Carved into silver, the fiddlehead catches my eye as light reflects off a displayed cuff’s surface. We are standing in Mary Goddard’s studio in Sheet’Ká (Sitka), Alaska. On the wall, seemingly fresh splotches of paint sample shades of green that seem to bring the most northern rainforest into the small space. Copper sheets, large unfinished tina’as, and a formline eagle and raven sit waiting to take flight on her worktable.
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